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传统手工纸在油画保护性贴面中的模拟实验研究 |
Simulation Test Study of Traditional Handmade Papers in the Protective Facing Treatments of Oil Painting Restoration |
投稿时间:2024-08-17 |
DOI:10.11980/j.issn.0254-508X.2024.12.014 |
关键词: 手工纸 油画修复 贴面 模拟实验 |
Key Words:handmade paper oil painting restoration facing simulation test |
基金项目:2021年度国家社科基金艺术学项目(21BF093)。 |
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全文下载次数: 1 |
摘要:本研究梳理了贴面保护操作对纸张的性能需求,利用仪器分析中国传统手工纸的理化性能,筛选出福建连史竹纸B3、“六吉单宣”宣纸X1和纯青檀皮纸X5,这3种纸样的总体性能更贴近需求,并借助模拟场景实验,验证这3种纸样的有效性和易用性。结果表明,部分传统手工纸可应用于油画修复中的保护性贴面操作,且在后期揭除和清理残留纤维方面比当下常用材料(和纸、茶包纸)更具优势。长纤维的皮纸在揭除贴面时更易操作,短纤维的竹纸在去除残留纤维方面更易达成。 |
Abstract:In this study, the performance requirements of paper for protective facing treatments were identified, and then the physicochemical properties of traditional handmade paper were analysed using instruments. Bamboo paper B3, xuan paper X1, and bark paper X5 made of Pteroceltis tatarinowii Maxim were screened out, which were more closely related to the requirements in general, and the practicability and effectiveness were verified with the help of simulated experiments. The results showed that certain traditional handmade papers were suitable for protective facing treatment in oil painting restoration, exhibiting superior performance to the currently common-used materials in terms of removal and residual fibers’ cleaning after the facing. The long-fiber bark paper was easier to handle and easier for removal, and the short-fiber bamboo paper’s residual fibers were more readily to be cleaned. |
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